7 Temmuz 2012 Cumartesi

Ian and the news 11"x14" oil

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Click here to purchase.Ian was kind enough to be our model today, this is something he has never done before I found him when I went to dinner one night at Harvest, a restaruant here in Louisville, he was our waiter.  He is also studying music at U of L, I believe he is a classical singer.My blog: http://claudiahammer.blogspot.com
My website: http://claudiahammer.com
My email: iclaudiahammer@insightbb.com
My DPW gallery: http://www.dailypaintworks.com/Artists/chammer-209

Red and Blue Hydrangeas 8"x8" oil

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Please click here to view auction.It might be the roundness of the flower that I like so much.   I love the many colors that are on each plant.   However these two did not come from the same plant.   They are neighbors.My blog: http://claudiahammer.blogspot.com
My website: http://claudiahammer.com
My email: iclaudiahammer@insightbb.com
My DPW gallery: http://www.dailypaintworks.com/Artists/chammer-209

Hydrangeas in lime green 8"x8" oil

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Please click here for the auction.Don;t you know that I have relaxed so much since I decided not to paint daily that I even forget to post even when I do a painting!   I painted this on Monday July 2 and due to my relaxed life style, am just now posting.   I love these lovely purple Hydrangeas.My blog: http://claudiahammer.blogspot.com
My website: http://claudiahammer.com
My email: iclaudiahammer@insightbb.com
My DPW gallery: http://www.dailypaintworks.com/Artists/chammer-209

Two green Hydrangeas 8"x8" oil

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Please click here for auction information.It has been fun to paint these flowers and it amazes me that they come in so many colors and variations.  Seems like when I was a kid the only came in pink and blue and somewhere in between.My blog: http://claudiahammer.blogspot.com
My website: http://claudiahammer.com
My email: iclaudiahammer@insightbb.com
My DPW gallery: http://www.dailypaintworks.com/Artists/chammer-209

Kelly 9"x12" oil

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Please click here for auction information.The studio that we have our Friday sessions in was hot but we had on 5 fans which helped to keep us comfortable.   Kelly was a trooper keeping her pose the whole time, with breaks of course.  This was my effort this morning.My blog: http://claudiahammer.blogspot.com
My website: http://claudiahammer.com
My email: iclaudiahammer@insightbb.com
My DPW gallery: http://www.dailypaintworks.com/Artists/chammer-209

5 Temmuz 2012 Perşembe

The Bulleit Experience At Stitzel-Weller Distillery.

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Several years ago at WhiskyFest Chicago, I was chatting with Chris Musumeci, then brand manager for Diageo's Bulleit Bourbon.

We talked about the growth and popularity of the brand. "At some point," he said, "Bulleit will need some kind of home place."

The distillery where it is made would be the natural home place but, as we both knew, Bulleit's products are contract distilled by non-Diageo distilleries. 

My comment was, "Well, there's always Stitzel-Weller." Stitzel-Weller is the old Van Winkle family distillery. Built in 1933, it operated until 1992. It was the home of Old Fitzgerald, W. L. Weller, Rebel Yell, Cabin Still, and Old Rip Van Winkle wheated bourbons. The company now known as Diageo has owned it since 1987.

Last summer, it seemed as though they had taken my suggestion. "The Bulleit Experience at Stitzel-Weller Distillery" was announced with moderate fanfare. Industry people, including myself, were invited for previews. A few preview events were held. Mine was cancelled.

Another visit was scheduled and cancelled earlier this year. Two weeks ago, I finally got to peak behind the curtain.

The first pleasant surprise. There is a guard on the front gate again. In recent years, only the back gate has been used.

I was met by Tom Bulleit (left, in the photo) and Bobby Burke, who was introduced as the first tour guide. The focus of "The Bulleit Experience at Stitzel-Weller" is the old office building, whose design was based on Thomas Jefferson's home, Monticello. The effect of Southern gentility is enhanced by the large magnolia tree in front.

To the right, there is a small gazebo. To the left is the first row of black-painted, steel clad aging warehouses. On the long side of each warehouse there is a raised concrete walkway covered by a low roof, giving it the look of a covered porch. Upright whiskey barrels and rocking chairs complete the effect.

It is possible, therefore, to walk along the long side of each warehouse, protected from the elements, though still outside, and look into the open first floor windows, yet that's not part of the tour because of "insurance concerns."

Instead, details of the office building's architecture are pointed out. Don't get me wrong, I love that sort of thing. Inside there is a vestibule with some benches. The next door leads to a large room with exhibits that tell the history of the distillery, of the Bulleit brand, and of Kentucky whiskey-making in general. There are a couple of barrels marking production milestones and other artifacts drawn from the distillery's vast archives.

This central room has several doors. One leads to Tom Bulleit's office, which occupies a small portion of what was originally Pappy Van Winkle's vast office. It's a very handsome room.

Another door leads to another now-subdivided part of Pappy's old office, that is decorated like a library. This is where the tastings will take place. This space has a large window that provides a nice look at the grounds. Then there's the gift shop.

That's it.

I had a very nice time with Tom and Bobby. I was just meeting Bobby but I've known Tom for years and always enjoy his company. As I told them, I think people will be disappointed if they can’t see a little more of the distillery, in particular the inside of a warehouse and at least an outside look at the old still house. If going inside isn't possible, then at least include a walk of the grounds pointing these things out.

That's all there is anyway. No distilling or bottling is done there.

I also don't know where people are going to park. They have maybe ten spaces in front of the office building and no place for buses. You wouldn't want to sully the grounds by laying more asphalt. These may be some of the reasons why the place isn't open to the public. Tom and Bobby say they don't know when it will open. It's not up to them.

They did mention that recent road improvements make it easier to get there from Interstate 65, and the improved road takes the visitor past Papa John Stadium and Churchill Downs, where they might be going anyway.

For now, they're just using it to host journalists and trade customers.

They'd love to be on the official Kentucky Bourbon Trail and it would love to have them.

As they also point out, Stitzel-Weller is an active maturation facility. As such, it is overseen by John Lunn, who is best known as Master Distiller at George Dickel. He was recently promoted to Southern Hub Director for Diageo. The Southern Hub is comprised of the Dickel and Stitzel-Weller sites. As Director, Lunn oversees daily operations and is responsible for production, quality and safety.

Brown-Forman To Build New Cooperage In Alabama.

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The bourbon whiskey boom has been good for the economies of Kentucky and Tennessee, and now Alabama is getting a taste.

Brown-Forman Corporation has announced that it will invest about $60 million to establish a new cooperage in Lawrence County, Alabama, near Decatur. The company is also about to open a sawmill in Stevenson. The new cooperage should come on line in 2014 and will have about 200 employees.

The location of the new cooperage is based on its proximity to Lynchburg, where Brown-Forman's Jack Daniel's is made. The sawmill project suggests that the new cooperage will receive at least some of its white oak from Alabama forests.

Brown-Forman's existing cooperage in Louisville, which currently supplies barrels for Jack Daniel's and other Brown-Forman products, primarily uses white oak grown in Missouri, Arkansas, Minnesota, and West Virginia. The wood is typically rough cut at sawmills close to the forests before being shipped to the cooperage.

All whiskey is aged in oak barrels but American whiskey is unique because it is always aged in new barrels. It is estimated that half or more of the flavor in a bourbon or rye comes directly from the wood, as does all of the whiskey's color. The new barrel maximizes extraction of tannin, vanilla, caramelized sugar, and other substances. A whiskey barrel is like a tea bag, as far as we're concerned, one and done.

If you want to make more whiskey, you have to make more barrels and build more aging warehouses. That's the only way to do it.

Used barrels typically go to Scotland, Ireland, and Canada.

Louisville has been operating at full capacity for several years and it has long been recognized that a second cooperage, when built, should logically be closer to Lynchburg. Brown-Forman is headquartered in Louisville, operates a whiskey distillery in nearby Shively, and another in Versailles, which is about 65 miles to the west. Lynchburg is 250 miles to the south. Decatur is much closer to Lynchburg, only about 80 miles away.

Brown-Forman is the only distilled spirits company in the world that manufactures its own barrels.

In addition to the barrel-making shop itself, a cooperage typically includes a large outdoor area where wood can be naturally seasoned by exposure to the elements. The Louisville Cooperage simply has no more room, either inside the building or on its grounds.

Up until a few years ago, Brown-Forman's cooperage also sold barrels to other bourbon and rye distillers, a practice they may resume after the Alabama facility comes on line. The only other large barrel-maker serving whiskey country is Independent Stave, which has cooperages in Lebanon, Kentucky, and Lebanon, Missouri. There are also several small cooperages that make whiskey barrels.

Whiskey-making and related industries such as cooperage are great examples of value-added manufacturing businesses that make products for both domestic and foreign consumption, and really can't move their operations out of the U.S. Cooperages are located where the trees and distilleries are, not where the cheapest workers are. U.S. laws, buoyed by international agreements, require bourbon and Tennessee whiskey to be made in the USA, and the strength of the Kentucky and Tennessee brands means whiskey-makers aren't about to move en mass to Vermont.

So drink American, it's good for the economy.